Exhibitions. > Small Comforts

A Complete Sentence
Pen, Watercolor, and 23k Gold Leaf on Paper
14" x 11"
2026
Backyard Retreat
Pen and Watercolor on Paper
60" x 48"
2026
Creature Comforts
Pen and Watercolor on Paper
40" x 27"
2026
First Kiss Was the Floor
Pen and Watercolor on Paper
29" x 22"
2026
No Replacements
Pen and Watercolor on Paper
48" x 32"
2026
Set in Stone
Pen and Watercolor on Paper
14" x 11"
2026
Transference
Pen and Watercolor on Paper
20" x 16"
2026
Unfazed By Damocles
Pen and Watercolor on Paper
50" x 24"
2026

Ivester Contemporary is pleased to present Small Comforts, the first solo exhibition in Texas by Mississippi-born, Maryland-based artist Michael A. Booker. This exhibition features a new body of intricate fine line pen drawings exploring the ways we seek comfort and joy amid the uncertainties of contemporary life.

Small Comforts considers the emotional weight of navigating a world shaped by forces beyond our control. As troubling headlines become a constant presence in everyday life, Booker examines the tension between collective anxiety and the desire to preserve a sense of normalcy. The exhibition emerged from conversations with friends and fellow creatives, primarily in the Washington, D.C. area about how they were coping with these pressures and finding moments of reassurance in their daily lives. These exchanges inform a series of psychologically layered compositions rooted in Booker's ongoing exploration of Black interiority and collective cultural identity. His subjects occupy spaces where joy and unease coexist, suggesting that seeking comfort is not necessarily a retreat from the world, but a way of continuing to engage with it.

Hands play a particularly significant role throughout the exhibition. Whether holding a meaningful object, offering reassurance, or communicating through gestures, they reveal emotional dimensions that facial expressions leave unspoken. By shifting emotional expression from the face to the hands, Booker challenges conventional expectations of portraiture, and suggests that emotional complexity exists beneath the surface of everyday life, where outward composure can coexist with uncertainty and unease.